CINEPASS.AI

CINEPASS / CREATE

Create the scene.
Shape the film.

Explore a connected workflow for approved references, shot generation, take selection, sequence assembly and human-led review.

Explore the workflow Talk to the team

PRODUCTION INTELLIGENCE / CINEPASS.AI

01 / CREATE

Create the scene.
Shape the film.

The blueprint is a starting point. The bigger workflow connects shot generation, take selection, editing and sound—so your story can become a sequence, not just a document.

LAST LIGHT / ASSEMBLYSTORYBOARD ANIMATIC
Six planned shots. One scene.00:30 / SILENT ANIMATIC
PICTURE SOUND Designed in the production workflow

FROM REFERENCE TO ROUGH CUT

Make the film.
Don’t stop at the plan.

  1. 01
    Generate the shots

    Use approved characters, environments and creative direction as the starting point.

  2. 02
    Choose and assemble

    Select takes. Shape sequences. Refine picture, performance, sound and pacing.

  3. 03
    Review before moving on

    Carry the same story and references into the next cut. Keep the decisions with the filmmaker.

Sample animatic from the LAST LIGHT storyboard. See shot generation and finishing in a private demo.

Discuss the production workflow

ONE CREATIVE CONTEXT

Two paths to the screen.

AI-NATIVE PRODUCTION

Create with generated scenes.

A workflow designed around rights-cleared references, generated takes, human-directed editing and finishing.

LIVE ACTION + HYBRID

Connect what you shoot and create.

Bring filmed footage, generated elements and editorial choices into the same production context.

THE INTELLIGENCE THAT CARRIES FORWARD

The same story.
Not another handoff.

The advantage is the connection: story intent, approved references and revision history informing the next decision—from the first scene to the final deliverable.

Story & charactersApproved assetsVersions & decisionsRights & release checks

02 / REVIEW · SAMPLE SCENE

Review the work.
Keep the story.

Connect the original script, visual references and review notes. Check the scene against its creative intent before moving into the next cut or handoff.

LAST LIGHT / SCENE 01EXPLORE THE SCENE
SAMPLE SCREENPLAY
INT. LIGHTHOUSE SIGNAL ROOM — DAY

Clear sea light fills the tall windows.
The radio and charts cover the left of the desk.
A sealed RED ENVELOPE rests on the right.

                     NORA
That channel went silent ten years ago.

ELLIOT waits across the desk.

                     ELLIOT
Then don't answer it.

Her hand stops above the radio.
The envelope remains sealed.
Sample lighthouse signal-room reference with seaward windows and the work desk

START WITH WHAT THE STORY ACTUALLY SAYS

Two characters.
One room. One choice.

Nora. Elliot. A radio. A sealed red envelope. Keep the story’s details connected as the scene takes shape.

2 source characters1 source roomSealed red envelope
WHAT YOU’RE SEEING

LAST LIGHT · Sample scene and production plan.

Discuss a studio pilot

FOR STUDIOS, AGENCIES & FILMMAKERS

Bring the story.
Explore what it can become.

A cinematic proof of concept. A stronger cut. A connected production workflow. Start with the opportunity that matters to your team.

Request a private demo Discuss a studio pilot