CINEPASS.AI

THE INTELLIGENT OPERATING SYSTEM FOR FILM PRODUCTION

Your film
production team.
Working as one.

From screenplay to screen—one connected workflow, with you in creative control.

Start with a story. See how far it can go.

Request a private demo Five connected stages. Explore at your own pace.
LAST LIGHT story world: Nora in a sunlit lighthouse signal room overlooking the sea
LAST LIGHT SAMPLE STORY
THE SCREENPLAYLAST LIGHT

INT. LIGHTHOUSE
SIGNAL ROOM — DAY

A sealed RED ENVELOPE
rests on the right.

NORA
“That channel went silent
ten years ago.”

ONE STORY. A SHARED START.
SCENE 01 / PRODUCTION PLAN•••
One scene. Every detail connected.
Story breakdown Visual references Six-shot plan
Your decision comes next.
01 / 05

Your story. A clear plan.

Develop the story, visual references, and production bible. Prepare the project for its next creative or financing conversation.

Same story. Shared creative decisions. You stay in control.
Story intent → shared references

The connected scene-planning workflow.

LAST LIGHT · Illustrated workflow walkthrough.

Request a private demo

PROJECT DEVELOPMENT / FROM IDEA TO OPPORTUNITY

Make the story real.
Before you make
the film.

Turn your script into a production bible, visual proof of concept, and a presentation for producers, partners, and prospective investors.

Keep the creative vision and authorized talent references connected—from the first pitch into production.

Explore Project Development
Production bibleVisual proof of conceptFinancing presentation
ONE STORY. A SHARED FOUNDATION.01 / 03
LAST LIGHT fictional lighthouse scene used for the sample production bible

PRODUCTION BIBLE

LAST
LIGHTSTORY · WORLD · SCENE PLAN
Sample projectCINEPASS.AI
SCENE 01VISUAL DIRECTION
Nora and Elliot scene reference from LAST LIGHT

A signal. A sealed letter.
A decision.

Nora reference for the sample sceneSealed red envelope referenceTwo-character scene reference
Story & characters01
Shot plan & references02
Decisions & next steps03
More than a script.A project people can see.

01 / CREATE

Create the scene.
Shape the film.

The blueprint is a starting point. The bigger workflow connects shot generation, take selection, editing and sound—so your story can become a sequence, not just a document.

LAST LIGHT / ASSEMBLYSTORYBOARD ANIMATIC
Six planned shots. One scene.00:30 / SILENT ANIMATIC
PICTURE SOUND Designed in the production workflow

FROM REFERENCE TO ROUGH CUT

Make the film.
Don’t stop at the plan.

  1. 01
    Generate the shots

    Use approved characters, environments and creative direction as the starting point.

  2. 02
    Choose and assemble

    Select takes. Shape sequences. Refine picture, performance, sound and pacing.

  3. 03
    Review before moving on

    Carry the same story and references into the next cut. Keep the decisions with the filmmaker.

Sample animatic from the LAST LIGHT storyboard. See shot generation and finishing in a private demo.

Discuss the production workflow

ONE CREATIVE CONTEXT

Two paths to the screen.

AI-NATIVE PRODUCTION

Create with generated scenes.

A workflow designed around rights-cleared references, generated takes, human-directed editing and finishing.

LIVE ACTION + HYBRID

Connect what you shoot and create.

Bring filmed footage, generated elements and editorial choices into the same production context.

THE INTELLIGENCE THAT CARRIES FORWARD

The same story.
Not another handoff.

The advantage is the connection: story intent, approved references and revision history informing the next decision—from the first scene to the final deliverable.

Story & charactersApproved assetsVersions & decisionsRights & release checks

02 / REVIEW · SAMPLE SCENE

Review the work.
Keep the story.

Connect the original script, visual references and review notes. Check the scene against its creative intent before moving into the next cut or handoff.

LAST LIGHT / SCENE 01EXPLORE THE SCENE
SAMPLE SCREENPLAY
INT. LIGHTHOUSE SIGNAL ROOM — DAY

Clear sea light fills the tall windows.
The radio and charts cover the left of the desk.
A sealed RED ENVELOPE rests on the right.

                     NORA
That channel went silent ten years ago.

ELLIOT waits across the desk.

                     ELLIOT
Then don't answer it.

Her hand stops above the radio.
The envelope remains sealed.
Sample lighthouse signal-room reference with seaward windows and the work desk

START WITH WHAT THE STORY ACTUALLY SAYS

Two characters.
One room. One choice.

Nora. Elliot. A radio. A sealed red envelope. Keep the story’s details connected as the scene takes shape.

2 source characters1 source roomSealed red envelope
WHAT YOU’RE SEEING

LAST LIGHT · Sample scene and production plan.

Discuss a studio pilot

CONNECTED INTELLIGENCE / HUMAN DIRECTION

Ten disciplines.
One coordinated team.

Each specialist focuses on its craft. The Executive Showrunner connects the findings across the work. The filmmaker makes the final decision.

Executive
ShowrunnerOne connected creative context
Human approval required
01 / 10EXPLORE A ROLE

Story & Screenplay

Protect the story’s intent.

Checks the proposed adaptation against the locked script, dramatic intention and source evidence.

Works from
Locked screenplay + production plan
Brings back
Source-linked story findings
You stay in control

Cannot rewrite canon or create unapproved facts.

Meet every specialist
◈Executive ShowrunnerConnected decisions. You direct.

Tap a specialist to see how it helps.

01Story & Screenplay

Protect the story’s intent.

Checks the proposed adaptation against the locked script, dramatic intention and source evidence.

Works from
Locked screenplay + production plan
Brings back
Source-linked story findings

Human boundary: Cannot rewrite canon or create unapproved facts.

02Retention & Episode Bridges

Make the next moment matter.

Reviews the clarity of openings, dramatic turns and episode-to-episode transitions without substituting arbitrary spectacle.

Works from
Episode structure + audience intent
Brings back
Pacing and bridge observations

Human boundary: Changes to structure require producer approval.

03Master Film Editor

Make the sequence work.

Reviews coverage, progression, shot order and editorial relationships across the planned or rendered sequence.

Works from
Shot sequence + approved coverage
Brings back
Edit and coverage recommendations

Human boundary: Does not silently discard approved footage.

04Cinematography

A lens is a narrative decision.

Reviews shot purpose, framing, lens logic, camera movement and screen geography.

Works from
Scene intention + shot plan + evidence
Brings back
Camera-specific review findings

Human boundary: Aesthetic recommendations are not automatic directives.

05Lighting & Color

Give each world its light.

Reviews motivated lighting, exposure relationships and intentional color continuity.

Works from
Reference look + frames
Brings back
Lighting and color findings

Human boundary: Cannot replace the approved look without authorization.

06Blocking & Continuity

Keep the story recognizable.

Reviews cast placement, eyelines, screen direction, wardrobe and state changes against the production context.

Works from
Approved references + shot evidence
Brings back
Continuity observations with locations

Human boundary: Your creative intent guides continuity review.

07Production Design

Every object belongs to a world.

Reviews environments, prop state, materials, geography and the visual story they tell.

Works from
Set/prop masters + scenes
Brings back
Design and prop-state findings

Human boundary: Does not invent props or overwrite reference masters.

08Performance & Voice

Keep the feeling human.

Performance intention, dialogue delivery and voice continuity are the focus of this review.

Works from
Script + performance/audio evidence
Brings back
Performance and voice observations

Human boundary: Approve performance and voice direction.

09Sound & Music

Listen to the whole scene.

Reviews dialogue intelligibility, sound perspective, transitions and music’s dramatic role.

Works from
Audio stems + picture cut
Brings back
Audio review notes

Human boundary: Approve the music selection and final mix.

10Independent QC

Challenge the result, not the filmmaker.

Performs an independent pass over the work, specialist findings and technical blockers.

Works from
Snapshot + findings + rendered evidence
Brings back
Consolidated unresolved issues

Human boundary: Review unresolved issues before approving the next stage.

BUILT TO WORK TOGETHER

Shared context from the first decision to the last.

Explore the specialists

CREATOR-RIGHTS APPROACH

Your work. Your permission.
Your creative control.

Start with authorized material. Define participation and intended use. Keep creative approval separate from permission to publish.

Explore the approach

03 / AUDIENCE · AUDIENCE LAB

A fresh perspective.
Before the audience arrives.

Explore possible reactions to story, pacing and clarity. Compare cuts, turn the findings into better questions, then test with real viewers.

LAST LIGHT / CUT COMPARISONEXAMPLE STUDY
Cut A · Reveal the context

Establish the room, introduce the warning, then draw attention to the envelope.

WHAT WOULD YOU TEST?

Different perspectives.
A stronger cut.

00:10 / STORY CLARITY

Is the warning clear?

Ask whether viewers read Elliot’s warning as protection, a threat, or something else.

Sample editorial hypotheses.

01Creative stress testStory, clarity, emotion and pacing.
02Compare possible reactionsUse audience-style perspectives to frame questions.
03Learn from real viewersValidate with audience tests and authorized data.

04 / RELEASE

From final cut
to release-ready.

Keep the master, trailer, captions, artwork and metadata together. Give every release a clear package—and a human approval.

OPTIONAL / MOVIEPUSH

A connected path to your channels.

A MoviePush connection to your authorized web, mobile and connected-TV destinations can be scoped for your project.

Explore a distribution partnership
LAST LIGHT / DELIVERY PACKAGEEXAMPLE
Last Light sample release artwork
ONE CREATIVE PROPERTYLAST LIGHTStory context travels with the assets.
  • 01
    Picture & sound masterTechnical and creative checks
  • 02
    Captions & language assetsAccess and localization
  • 03
    Artwork, trailer & metadataA consistent release identity
  • 04
    Rights & release approvalPermission before publication
Web & mobileConnected TVOwned networks

Distribution on authorized channels.

THE CINEPASS DIFFERENCE

Less repeated work.
More filmmaking.

Connected decisions mean less time repeating the same creative conversations.

THE FRAGMENTED WAY
Script revisionsNotesShot listReferencesRevisions

Separate files. Repeated decisions.

Creative context gets lost between documents, departments and revisions.

THE CONNECTED WAY
Script→Plan→Review→Approve

One story. One shared context.

Keep approved choices, visual references and next steps connected.

↗Move faster

Fewer handoffs and clearer next steps.

◈Stay consistent

Carry key story details across the work.

✓You stay in control

Creative decisions remain with filmmakers.

EXPLORE THE WORKFLOW

Your story.
A studio around it.

Cast the characters. Establish the world. Shape the shots. Review the decisions. One guided experience, built around your point of view.

Explore the sample workflow ↗
CINEPASSSTUDIO
LAST LIGHT / SAMPLE PRODUCTION
Interactive workflow example

06 / STORYBOARDS

Every shot
has a reason.

Episode 01Clip 01 / 30s
CONCEPT STILL16:9
LAST LIGHT / Establish the signal roomConcept artwork
CONCEPT STILL16:9
LAST LIGHT / Nora hears the signalConcept artwork
CONCEPT STILL16:9
LAST LIGHT / Elliot gives the warningConcept artwork
CONCEPT STILL16:9
LAST LIGHT / The red envelope remains sealedConcept artwork
CONCEPT STILL16:9
LAST LIGHT / Recognition before actionConcept artwork
CONCEPT STILL16:9
LAST LIGHT / The held decisionConcept artwork

SHOT INSPECTOR / SAMPLE SHOT

The red envelope

The envelope remains sealed and red.

Lens
85mm
Framing
Insert
Movement
Locked
Duration
5s / planning allocation

Six shot setups, each linked to its storyboard reference.

Explore a sample workflow from script to review.
Script → assets → shot decisions → reviewed handoff

Interactive sample workflow. Explore each step, from story to handoff.

FOLLOW ONE STORY / LAST LIGHT

A line on a page.
A world of decisions.

A lighthouse. A forbidden frequency. A red envelope that must remain sealed. One original fictional scene makes the production logic visible.

INT. LIGHTHOUSE SIGNAL ROOM — DAY
“A sealed RED ENVELOPE
rests on the right.”

The script tells us what matters. The production plan carries that intention forward.

01 / SOURCEFind the story-critical detail.

Red. Sealed. Right side of the desk.

02 / PRODUCTIONConnect the detail to the shot.

Prop reference → storyboard → camera plan.

03 / REVIEWMake a change visible.

Compare an intentionally varied blue envelope with the locked target.

Sample screenplay-to-production workflow.

Explore all seven steps

QUALITY / A SPECIFIC QUESTION

Keep the story.
Catch the drift.

A review is useful when it can point to the detail that changed—not merely produce a green checkmark.

SAMPLE CONTINUITY REVIEW

One envelope. One controlled variation.

INTENDED TARGET
SAMPLE VARIATION
Sample comparison

ONE CREATIVE CONTEXT / DISTINCT RESPONSIBILITIES

Let models evolve.
Keep your vision.

Story Engine organizes the production context. Independent review provides another perspective. Filmmakers set the direction.

CREATIVE AUTHORITYThe filmmakerApprove · Direct · Decide
01

Story Engine

Source → assets → shot plans → handoff

PRODUCTION ORCHESTRATION
02

CINEPASS

Evidence → findings → reviewed revisions

INDEPENDENT QUALITY SYSTEM
03

Generation adapters

Image · video · audio · editorial

GENERATION LAYER
Shared project context. Separate responsibilities. One designed experience.

ORIGINAL CINEMATIC WORLDS

Every genre.
The same ambition.

Cosmic scale. Atmospheric dread. Epic romance. Impossible wonder. Six original live-action-style shots, directed as one 30-second invitation.

CONCEPT STILL16:9
ORBITAL 06 — A world beyond the first line / concept artworkConcept artwork

SCIENCE FICTION / ORIGINAL CONCEPT

ORBITAL 06

A signal beyond the mapped horizon.

CONCEPT STILL16:9
THE HOLLOW SEA — A fear you can feel / concept artworkConcept artwork

ATMOSPHERIC HORROR / ORIGINAL CONCEPT

THE HOLLOW SEA

Something in the room moves against the light.

CONCEPT STILL16:9
A THOUSAND TIDES — A love worth crossing oceans for / concept artworkConcept artwork

EPIC ROMANCE / ORIGINAL CONCEPT

A THOUSAND TIDES

The world departs. They choose to stay.

CONCEPT STILL16:9
THE SKY BETWEEN — An impossible world, made believable / concept artworkConcept artwork

LIVE-ACTION FANTASY / ORIGINAL CONCEPT

THE SKY BETWEEN

An impossible world, made physically believable.

Original cinematic concepts.

Explore the 30-second film

THE WORLD AROUND THE STORY

One story.
A world of possibilities.

A connected creative world can grow beyond one production—into films, series, franchises and immersive experiences.

01

Big screen

Build the cinematic world.

02

Streaming & TV

Carry the story across episodes.

03

Franchises

Extend the world without losing it.

04

Immersive experiences

Explore new ways into the story.

FIND YOUR WORKFLOW

Built around the way
you make the work.

One filmmaking platform. Explore the production workflow that fits your team.

Studios & production companies

Bring the creative work, references, and next decisions into focus.

Explore

Agencies & talent

Develop client projects into production bibles and presentations for the next commercial conversation.

Explore

Creators & independent filmmakers

Build a bible, visual proof of concept, and a clearer project presentation.

Explore

Animation Studio

Explore 2D, 3D, and hybrid animation in its own dedicated workspace.

Explore

CINEPASS FOR ORGANIZATIONS

One production.
Or an entire slate.

Bring CinePass into the way your organization works—from creator project development to connected production. Explore a deployment for your teams, approved assets, and existing systems.

Explore Enterprise
LAST LIGHT scene reference, used to illustrate the shared production workflowTHE PRODUCTION WORKFLOW COMES FIRST
Your projects
Your teams
One system

Same filmmaking platform. A deployment shaped around your organization.

A FEW IMPORTANT QUESTIONS

Clarity is
part of the craft.

Can CinePass help us present a project before production?

Explore project development: a production bible, visual references, a scoped proof of concept, and presentation materials for producers, partners, or prospective investors. Agree the deliverables and reviewed assumptions for your project.

Is CinePass only a pre-production tool?

No. Pre-production is the foundation of the broader CinePass vision: connect scene generation, editing, review, audience insight and release preparation around the same creative property.

How do filmmakers shape the finished film?

Create shots, choose takes, shape the cut and review the result, with filmmakers directing each stage. A private demo can show the workflow for your project.

How does Audience Lab help prepare an audience test?

Compare sample cuts and develop questions about story clarity, pacing and emotional impact before testing with real viewers.

How would MoviePush fit into CinePass?

A MoviePush connection to your authorized distribution channels can be scoped for your project.

Who makes the creative decisions?

You do. The specialists inform the work. The Executive Showrunner coordinates findings. Filmmakers choose what changes and what moves forward.

What can I explore here?

The LAST LIGHT planning example, two storyboard animatics, a sample cut comparison, specialist roles and a sample release package. These examples show the connected journey around one story.

How can a studio or agency start?

Request a private demo for a production workflow, cinematic proof of concept, cut review or distribution discussion. A short project description is enough; do not send a confidential screenplay through the public form.

Can we use approved talent references?

Start with material you are authorized to use, define the purpose, and identify who can approve it. A private concept presentation and a public commercial release are different uses. See our Creator Rights approach or discuss an enterprise asset workflow.

FOR STUDIOS, AGENCIES & FILMMAKERS

Bring the story.
Explore what it can become.

A cinematic proof of concept. A stronger cut. A connected production workflow. Start with the opportunity that matters to your team.

Request a private demo Discuss a studio pilot